Lucerne in Pictures: The Gates to the Hof Bridge and the Boat Landing - Xaver Schwegler
The painting “The Gates to the Hof Bridge and the Boat Landing” by Xaver Schwegler (1832–1902) shows the view from the lower Kapellplatz toward the lake, the way this place looked around 1834. Schwegler painted the picture around 1900, using a drawing by his father Jakob Schwegler, who had seen the scene himself.
On the right side of the painting is the Zur Gilgen House. Next to it is part of the old city wall with two gateways:
- The left gateway, with a pointed arch, leads to the Hof Bridge.
- The right gateway, with a round arch, leads to the boat landing. Through this round arch you can see Mount Rigi in the background.
A small bridge keeper’s hut stands directly against the city wall. The bridge keeper leans out of the window and talks to a farmer with his dog. The dog looks toward the Hof Bridge — guiding the viewer’s eye to a well-dressed gentleman and a boy with a hoop who are standing on the bridge.
In the foreground, an elegantly dressed Biedermeier couple is walking into the city. On the far left, a street seller offers his goods to a maid standing in a doorway. Altogether, the painting gives a lively impression of everyday life in Lucerne at that time.
The painting was created for the Korporationsgemeinde Luzern. Although Xaver Schwegler painted it around 1900, it shows the situation in 1834, based on his father’s drawing. In this way, the picture combines personal memory with historical documentation.
Around this time, Lucerne was changing and beginning to develop as a tourist destination. The Hof Bridge was demolished, and the Hotel Schwanen — the first hotel directly on the lake — was opened.
So Schwegler’s painting preserves a moment between the Middle Ages and modern times: the old walls and gates are still there, but the coming changes can already be felt.
Source: Michael Riedler: Idyllisches Luzern (1987), published by the Korporation Luzern. The painting content is public domain.










